My work deals with fundamental issues of perception such as light, space, time, and gravity. I aim to distill complex phenomena into manageable, visual gestures. In this sense I am a reductionist, seeking to break a subject down into its component parts.
I work in a variety of media including photography, sculpture, kite-making and installation. Maintaining a high level of craft is important because much of my work’s content is conveyed in subtle details.
I generally employ a sparse vocabulary. This is not because I aim for simplicity, but because I am interested in the complexities that inevitably surface within seemingly simple ideas and forms.
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