Human Needs, 2013 – ongoing, sizes noted under each image. Human Needs presents poetic, visual meditations. Based on observing the nature of desire, the works present forms of water and terrain in visceral imagery to touch the relationship between vision and the body, a complex physiological-psychological space extending through spirit and earthly matter. The Print Ateliér represents selected images from Human Needs.

Laisséz Unfaire (Lascia Fare), 2011-2014, 77 x 115 cm (30 x 45 in) archival ink on epson matte paper.

Formed by wear & machine labor, portraits of residual machined-washed attire. Friendly, posed, and dormant sitting perched as an object, the collected after-materials represent the real material of daily wear. As an image, the portraits become a remnant of the once worn, memorialised in an archive. The first impulse to make these photographs was my interest in dust, magnetics, and accumulation. As Sally Mann made What Remains, I wondered, what I could find as a single woman, to understand a system by studying a byproduct of that system. My interest and critique of inventions around the idea of Progress led me towards looking at the remains of machines designed to perform repetitive, daily labor, and the relations these have on labor and value. These portraits are studio lit, remains caught from the drying machine sieves in homes and laundromats in the USA. The drying machine found to a lesser degree in other countries, such as Norway or Japan where plein-air drying remains common. Taking-care, tidying, handling residual material are matters which are historically considered invisible, or at least marginalised.In a Laisséz-faire system the government is out of business dealings. In a Laisséz-unfaire system there are ways of gathering remnants. Years later, I would come to find the meaning in Italian, through the sound: Lascia Fare-which means, to Let It Be. And so in this project, Laisséz-Unfaire (Lascia Fare), is a result to make visible the nascent knowledge embedded in the everyday life of housework. To look at these byproducts to reveal the machinations around the ideas of progress, and to evaluate their qualities.

Vereri, 2012 – ongoing, size noted under image. Nurturing a sense of reverence to the nature from which we come and return. Film exposures from Southern Norway landscapes depict pastoral stillness and sensual immersion in the visual field. To discuss nature, we must be prepared to consider brutality, grandeur, and movements leading to visible forms.

Monoliths, ongoing, contains works:

Omniscient, Memoria Technica

Omniscient, 2015, 101.6cm x 304.8cm ( 40 x 120 in ), monolithic image and text: A monument of future history. The image stands as a totem for the change in social structure toward the wisdom of water. Water emerges as the discourse for the emotional body. The emotional body serving as the pathway for the wisdom of intuition. In the new world, emotional suppression as poverty and polluted waters cease through the cleansing of pain into ecstatic expression. Responsibility for water comes through the reverence of its high wisdom. Sacred in the new society, water is respected, protected, cherished and shared freely among people to create humane societies upon all lands. A reverence for water solidifies the respect and preservation of the emotional body constituting a humane society for humans to exist in.

Memoria technica, 2015 – 2017, a series of 5 monolithic images, each measuring 90,64 x 180cm ( 35,68 x 70,87in )

Film exposures realized as seasons, axiomatically marking the vertical landscape in relationship with the human body in magnetic resonance imaging. Reflected and refracted rays form a curvature filled and hollowed by literary translation of tactile qualities associated with the four seasons. The monolith as markers in chronoception – the sense and perception of passage through time.

Virtual Material (ongoing) contains works: Teknovisuell Experience, Relatively Dimensional Still-life, 1919 in 2017, Ultraviolet Forest, Sirens Series, Sublime Domains, and video: Stop Bath. More works and information is available on the website.

Teknovisuell Experience, 2015-2016, size variable. Architecture scaled images of water emphasising etherial qualities of digital imaging technology. The installation of this work engages the viewers body in a spacial relationship in how the image appears. Size varies.

Sirens Series, 2014, photographic image on acrylic, size variable. Artist proofs available on paper. Digital audio files applied as grids upon film exposures of rural landscapes in a digital manipulation process.

Sublime Domains,2013-ongoing series. Digital print on matte paper. Sizes vary unless otherwise noted.