The ‘Circle II’ series represents a poignant personal narrative, imbued with the raw emotional experiences of my childhood. Following my parents' divorce, I was forced to seek refuge with my aunt, a Buddhist shaman whose room was adorned with primitive and vibrant-colored ritual paintings and sculptures of Buddha, a monk, and a mountain spirit. As a young girl, I found myself overwhelmed and frightened by this unfamiliar environment. Yet, despite my apprehension, the captivating colors and intricate forms of the sculptures left an indelible impression upon my soul.

Seeking solace in my inner world, I would often immerse myself in Korean fairy tales, imagining myself in the place of the characters and escaping into their enchanted and idyllic worlds. The stories provided me with a sense of comfort, helping me to cope with the trauma and uncertainty of my reality.

In the ‘Circle II’ series, I draw upon the rich tapestry of Korean folklore and legend, transforming fictional characters into representations of myself. Through a subjective lens, I twist and exaggerate their personalities, creating an immersive and emotive visual narrative. My self-portrayal as a goblin, angel, Taoist magician, or stepmother in the vein of Cinderella allows me to explore my own sense of identity, while also transcending the pain and hardship of my past.

In retrospect, I see the ‘Circle II’ series as a powerful tool for overcoming my traumatic experiences and emerging with a newfound understanding of self. Through this work, I have been able to process my emotions, express my innermost thoughts and feelings, and ultimately move forward from the scars of my past.