Ever since my early childhood career I have been fascinated by the essential unreality of relationships. My work explores the discordant hyperspace between Critical theory and divergent serendipitous sightings. With influences as diverse as Kierkegaard, Coltrane, and Andy Warhol, new tensions are crafted from both constructed and discovered dialogues, so that what starts out as contemplation soon becomes finessed into a hegemony of futility, leaving only a sense of failing and the dawn of a new order. For example, my untitled photograph tentatively titled (Untitled) #4598 embodies an idiosyncratic view of dominant recorded tropes, yet the familiar imagery allows for a connection between sidewalk, camera, and people's shoes, a recurring motif in my work. As intermittent derivatives become reconfigured through diligent and diverse practice, the viewer is left with an insight into the limits of our world.
I currently divide my time between Berlin and the barn at the end of my driveway.
I am therefore I shoot
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