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Amadora Installation view of Ezz Monem’s work Mohamed Mohamed Mohamed on display as part of NGV Triennial from 3 December 2023 – 7 April 2024 at NGV International, Melbourne. Photo: Sean Fennessy.

  Dance Floor 2013: “I won’t go… You won’t come”, 2023, 2-channel video with soundtrack (25 min), disco ball, motor, spotlight, lenses. Installation view of Gertrude Studios 2023, featuring works by Ezz Monem, presented at Gertrude Contemporary, curated by: Amelia Winata. Courtesy of the artist and THIS IS NO FANTASY, Naarm Melbourne. Photo: Christian Capurro and Machiko Abe.

Installation view, Gertrude Studios 2022, featuring ‘Touching the Pyramids: Majed meets Baldessari, Ohakune, 23 October’ by Ezz Monem, 2022 presented as part of Gertrude Studios 2022, curated by Tim Riley Walsh at Gertrude Contemporary. Photo: Christian Capurro.

Timber wall painted by Majed Fayad, Ohakune paint, Tasmanian Oak frames, archival pigment prints, 41 x 29 cm (framed); 240 x 320 x 65 cm.

Installation view, Gertrude Studios 2022, featuring ‘Touching the Pyramids: Majed meets Baldessari, Ohakune, 23 October’ by Ezz Monem, 2022 presented as part of Gertrude Studios 2022, curated by Tim Riley Walsh at Gertrude Contemporary. Photo: Christian Capurro.

Timber wall painted by Majed Fayad, Ohakune paint, Tasmanian Oak frames, archival pigment prints, 41 x 29 cm (framed); 240 x 320 x 65 cm.

Mohamed Mohamed Mohamed, installation shots at Blindside ARI, multi-channel video, sound by Matthew Davis, CRT TVs, 35mm slides, Kodak Ektapro slide projectors, Arduino microcontroller, timber and metal structures.

‘In Search of Mohamed’, installation shots at the at the 2021 VCA Art Grad Show, multi-channel video and sound, 35mm slides, Kodak Ektapro slide projectors, CRT TVs, bronze, 2021. Documentation by ALEC.

‘In Search of Mohamed’, installation shots at the VCA Artspace, multi-channel video and sound, 35mm slides, Kodak Ektapro slide projectors, CRT TVs, plywood, 2021.

‘In Search of Mohamed’, installation shot, multi-channel video and sound, 35mm slides, Kodak Ektapro slide projector, CRT TVs, bronze, 2022.
Documentation by Simon Strong⁠. Courtesy of THIS IS NO FANTASY.

‘In search of Mohamed: archive of opening credits’, installation shots from the group exhibition ‘From Where I stand #3’, curated by Kim Donaldson, VCA Artspace, 35mm slides, Kodak Ektapro slide projector, case, stool, editions of 5 ​​+ AP, 2021.

‘The Pyramids Postcards: Following the Policeman’, installation shot at KINGS Artist-Run gallery, Melbourne, 2019. Photo by Chris Bowes. Left: ‘The Pyramids Postcards: Following the Policeman’, Oil on Silver Gelatin prints, edition 1 of 5 + 1AP, 41cmX29cm each, custom Tasmanian Oak frame. Right: Delivered postcards, Oil on Silver Gelatin print, silkscreen, stamps, text in an acrylic box, 52cmX35cmX25cm.

‘I see. I can see you’re tired of living here’, installation shot at VCA Artspace, pigment prints, Tasmanian Oak frames, edition 1 of 5, 2021.

‘Cow without a head’, print on fabric, 248cmX195cm. From the closing event of ‘Revolutionary Failure’ exhibition at Noir Darkroom, 2021.

‘Vinegar..Soldier..Coke’, cyanotype on cotton paper, 60cmX120cm each, edition 2 of 6. From the closing event of ‘Revolutionary Failure’ at Noir Darkroom, 2021.

‘Revolutionary Failure’, installation shot at Noir Darkroom. archival pigment prints, edition 1 of 5, 41cmX29cm each, custom Tasmanian Oak frames, 2021.

‘Delivered Orders’, installation shot at Seventh gallery, c-type prints, edition 1 of 6, 70cmX33cm each, cardboards, pizza boxes, 2020.⁣ Photo by: Lucy Foster.

‘UberEats’, concrete, foam, plinth, pizza boxes, 2020.⁣ Cast made by: Lara Chamas, photo by: Lucy Foster.

‘It Is Not My Fault’, pigment prints, Saad Zaghloul culture center, 2016.

‘Formal Specters’, installation shot at Artellewa space, 2016.