Introduction
In this work I combine these approaches: I examine historical themes using the extensive photographic record of the last centuries, I explore photography as a medium, its function of representation and the limits thereof, and I consider image itself and its esthetics.
I use images that have become our cultural heritage, serve as symbols or tools of propaganda, and exemplify a specific approach to photography. Aware that their authenticity is not unquestionable, I return to these key images after they have been reinterpreted numerous times from various perspectives, and by manipulating their content I explore their purpose, function, and future.