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I live in Denver, CO. And I am a photographer. And this is my Tumblr.

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Really excited to share Sinjar to Lincoln, the final project in our Dispatched project with @vsco. This work is a combined image and text message story that looks at the Yazidi community in Lincoln and the ties that remain between family and friends...

Really excited to share Sinjar to Lincoln, the final project in our Dispatched project with @vsco. This work is a combined image and text message story that looks at the Yazidi community in Lincoln and the ties that remain between family and friends through displacement and tragedy.

Th story is a collaboration between @mikeshumfilms and myself. I haven’t been this excited about a project in a long long time. Please take some time and check it out, making sure to have the full experience. Link in bio.

Really excited to share a story I worked on in December and January for @voguemagazine for their 125th anniversary American Women portfolio. Amazing pieces in there by @stefanruizphoto, @alessandra_sanguinetti, @jonasbendiksen, @cassblackbird,...

Really excited to share a story I worked on in December and January for @voguemagazine for their 125th anniversary American Women portfolio. Amazing pieces in there by @stefanruizphoto, @alessandra_sanguinetti, @jonasbendiksen, @cassblackbird, @lynseyaddario and more. Link in my profile.

Huge thanks to @rubenramos and @ashleysolo

Pictured is the wonderful @missarabusa

A new chapter in our Dispatched project is out today. A Photograph of the Bearer by @kalpeshlathigra beautifully examines the tensions between how community and the state view individuals. The link is in my profile, definitely check it out.

A new chapter in our Dispatched project is out today. A Photograph of the Bearer by @kalpeshlathigra beautifully examines the tensions between how community and the state view individuals. The link is in my profile, definitely check it out.

A new chapter in our Dispatched project is out today. A Photograph of the Bearer by @kalpeshlathigra beautifully examines the tensions between how community and the state view individuals. The link is in my profile, definitely check it out.

A new chapter in our Dispatched project is out today. A Photograph of the Bearer by @kalpeshlathigra beautifully examines the tensions between how community and the state view individuals. The link is in my profile, definitely check it out.

Super pumped for @4x5photofest in San Antonio tomorrow. Some see @michaelfriberg and I talk about By The Olive Trees and Dispatched, as well as our show at @hauscollective. But mainly come see @danwintersphoto, @vanhoutenphoto and @krantzypants talks...

Super pumped for @4x5photofest in San Antonio tomorrow. Some see @michaelfriberg and I talk about By The Olive Trees and Dispatched, as well as our show at @hauscollective. But mainly come see @danwintersphoto, @vanhoutenphoto and @krantzypants talks and support the awesome folks who are putting this new festival on.

photographers need a union

michaeldavidfriberg:

This tirade is not directed at anybody personally because I know photo editors at magazines have very little control over how/when we get paid as photographers but after talking to several of my moderately successful editorial friends lately who are constantly experiencing the same thing, I need to get this off my chest.

A common theme when you talk to other editorial photographers is “i’m broke, even though I have 25 thousand dollars in invoices out to clients right now”. This business is set up to screw us over and over and take advantage of us in so many ways and there is basically nothing we can do about it. When you get an assignment, you typically have to front ALL of the expenses. So, when a magazine calls you last minute to fly to who knows where, USA and the plane ticket costs 800 bucks, that is going on YOUR credit card. Then, after the rental car and hotel and food also go on your business credit card, if you are a halfway decent human, you try to pay your assistant quickly because Lord knows, they are more broke than you are. So after doing an assignment that I may make 800 to 1,000 dollars on, I am usually out about 2 thousand in expenses at a minimum. I have about a total of three magazine clients that every pay me on time and the other 90 percent are usually two months overdue at a minimum. Some magazines don’t pay for 6 months. 

I’m busier than I’ve been in the last year right now, yet I have about 800 dollars in cash in my business account and my business credit card is maxed out. I’m not alone in this. About a year ago I loaned a good friend 1000 dollars just so he could book a ticket for a job while he was waiting to get paid. Then, last month that same friend loaned me 1000 bucks so I would have cash to spend while on assignment in europe because I had so many outstanding invoices out to clients. 

This should not be normal. I’m sick and tired of sending nicely worded emails to people asking about money that should have been paid to me 60 days ago. The saddest part is, if you pitch a fit or complain about it, they will just hire the next 25 year old who is eager and willing to bend over and grab their ankles. My life for the last three months has been juggling credit card bills for shoots, paying assistants in a timely manner and paying my mortgage and personal bills while constantly being on the verge of crisis, even though I have been working non stop and supposedly have money coming in. It’s not just me, every editorial photographer I talk to is having this issue. 

We need to stop being ashamed to ask for advances and sticking to a hard line on overdue invoices. Once you send a magazine high res images, before you’ve ever seen a dime, you basically now have no bargaining power. 

Again, I recognize that this is not every single magazine and that photo editors are not personally responsible for this. I have some wonderful clients who are on top of their shit and get me paid in a timely manner. I also know maybe I shouldn’t be whining about shooting photos for a living but this “living” is getting harder and harder to piece together, even though I’m working more than ever. 

Yup. If you ever want to feel judged by a business person, explain how the freelance photo world works. 


(via michaeldavidfriberg)
Michael Phelps shot for the New York Times.
Colorado Springs, CO (2016)

Michael Phelps shot for the New York Times. 

Colorado Springs, CO (2016)

Russian middle distance runner and doping whistle blower Yuliya Stepanova shot for the The New York Times Magazine.

Russian middle distance runner and doping whistle blower Yuliya Stepanova shot for the The New York Times Magazine. 

Russian middle distance runner and doping whistle blower Yuliya Stepanova and her husband Vitaly Stepanov shot for the The New York Times Magazine. Read the incredible story of Yuliya and Vitaly’s efforts to clean up Russian sports, which has led to the Russian track team being banned from the Rio Olympics.
http://www.nytimes.com/2016/06/22/magazine/the-marriage-that-led-to-the-russian-track-teams-olympic-ban.html

michaeldavidfriberg:
“ I’m really excited to finally be able to share the first chapter of a really big project that Benjamin Rasmussen and I are heading up in collaboration with VSCO and All Kinds of Human called Dispatched. Over the next 5 or 6...

michaeldavidfriberg:

I’m really excited to finally be able to share the first chapter of a really big project that Benjamin Rasmussen and I are heading up in collaboration with VSCO and All Kinds of Human called Dispatched. Over the next 5 or 6 months, we are going to roll out projects from 6 different photographers each addressing a specific aspect of the Middle Eastern refugee crisis.

My first of four posts went up today.  Stay tuned for more.


(via michaeldavidfriberg)